English Garden Finished for Maureen

The last steps in completing Maureen's English Garden block is the beading...here is the finished block.

The silkie had some little pearl beads added to the embroidery "frame"...

Tiny little iridescent flowers were added to the top row of stitched flowers, and butterfly beads were placed here and there to fill in empty spaces...

The bottom two rows were stitched with small filling stitches like the knotted blanket stitch...and tiny beads added for more texture.

You might find it interesting to know that the finished size of this block is six-inches square, so the scale is smaller than a standard twelve-inch block would be. It's ready to mail out...but I'll hang on to it until the due date.

English Garden...Bullion Flower Heads

The dreaded bullion! Many folks are convinced that these are just not something they can stitch. Nonsense...but there is an easy road and a hard road.

The easy road means that you have all the right tools on hand to do the job right. The needle you use is designed for creating bullions and has an eye that is no wider than the needle shaft. That way, the loops of the bullion will slide off the end effortlessly...and not get "hung up" on the eye. When working with six-strand floss...a straw needle or milliners needles does a perfect job!
But, when working with larger threads...like perle...it is hard to find a straw or milliner needle that has a large enough eye for the perle...without the needle shaft being so big that it doesn't leave huge holes in the fabric.
That's when you take the hard road...and deal with what you have.
Still, bullions can be done...without a lot of headaches. So, since this is not a perfect world where I live...and I have to use the best tool I can find..the hard road it is! An embroidery or chenille needle with the smallest eye I can get the thread through is usually my choice. I squeeze the thread at the tip to get it into the smallest needle I can...and the needle eye is long and slender...and the width of the eye is close to the same width as the shaft...but not quite the same.So, here is how I manage.
Needle up at the top of the bullion (or at least where you "want" the top to be)...and then, needle down at the bottom coming back up at the top again...without leaving the fabric.

This stitch will determine the length of the finished bullion. Then, I push my needle almost all of the way through the fabric, so I can get my left index finger under the needle (I am right handed). I start to wrap the thread clock-wise around the needle until the number of loops make a little stack on the needle...about the same height as the length of space between my "top" and "bottom" needle positions were. The wrapping is neat...and snug...but not tight.

Now, I grab these loops in my left hand...between my thumb and index finger. Grab the needle tip and pull the thread through...without letting go of the loops (you'll thank me for that later). Pull the thread until it starts to tighten under your fingers...(I had to put the needle down to get this photo).

The loops will be sitting above the fabric...and I like to put my needle under the line of loops and continue to pull my thread tightening them closer and closer to themselves. My needle is handy to use as a "nudge" to keep them tidy and in order. (If you forget to "pinch" the loops in your fingers first...this group of "loops" will just look like a tangle mess..but just keep pulling the tail thread...and use your needle to create that "nudge" from under the loops...soon, they will start to fall back in line and tighten up to something that resembles a line of loops once more.)

After I have pulled them as tight as I can from under the bottom...I move my needle to the top of my thread and push the loops some more to snug them as close together as they can go.

Lastly, I needle down at the bottom of the stitch. That completes one bullion.

Repeat to stitch as many as you need. Remember that the direction and length of the bullion is set by the first steps...needle up at top...needle down at bottom, and back up at top without exiting the fabric. If you load more bullions than will neatly fit into this space...the bullion will curve. If you put too many in the space...it will have the center core thread showing out the bottom. For this flower, I stacked the bullions one next to the other...and started the next one at the half way point of the one on top. The first bullion is stitched at the end of the vine/stem...then the left side ones are done...then the right side ones.

 Practice makes perfect!

English Garden...Fly Stitch Leaf Tutorial

The fly stitch leaf is my very favorite style of leaf to stitch. I have shown you this technique before...done in perle cotton. Today, I'm stitching some leaves on the English Garden block in silk perle. I started this motif with a vine done in stem stitch. I created the vine by taking my pencil and drawing a "wandering" line with some little "branches" coming off of it to fill in the general area I wanted to complete. Then I stitched from left to right...little back stitches with the thread always hanging down below the needle...and there was my stem stitch. Here is the finished vine and leaves...

And here is how the leaves are done. First, I like to start with a simple detached chain stitch (lazy daisy) starting at the tip of the leaf and working back about 1/4 to 1/3 of the length of the leaf. You can also see that I have drawn the general shape of the leaf with my pencil, this will keep me on track. Some folks put a pencil "dot" at the leaf tips and sides...but I find that the entire shape is what I need to create a nice shaped leaf. After completing the detached chain stitch, bring the needle up at the left side of the leaf...right next to the start of the detached chain stitch.

Now, from here on...we'll be stitching fly stitches. Fly stitches are really similiar to detached chain stitches...but instead of having the needle going up and down in the same starting spot...you have space between them. So here is the beginning...needle up at the left side of the detached chain. Needle down at the right side of the detached chain...staying close to the top...and on or just outside of the pencil line of the leaf shape. You don't want to see pencil lines when you have finished your leaf.

Start pulling your thread through and needle up at the bottom of the stitch...just like you would when completing a detached chain stitch. Get ready to anchor the stitch loop down.

This next photo is a little blurry...but that is my needle at the bottom of the stitch...going back down into the fabric...just couching the last fly stitch in place. This will anchor the loop down...just as you do with a detached chain stitch. These little "anchors" will become the spine of the leaf. They can be right down the center...or curve them to the left or right to get more "bend" in the leaf.

Once you have anchored the stitch...do the next one. Needle up again on the left side...needle down on the right side (following the pencil line of the leaf shape)...and needle up at the bottom and down again while couching he thread in place.

Keep going until the entire leaf shape is full. As you begin the leaf the stitches get wider and wider apart at the top...because the leaf is getting wider. Towards the halfway point of this specific leaf shape, the leaf starts to narrow and comes to a point at the bottom end. The flystitch is the same technique...the space between your needle up (left side) and needle down (right side) just differs depending on the shape of the leaf. Don't stress over it...just stay with the line.

If need be...you can also add a single stitch at the bottom of the leaf to fill in any remaining space...or to make a stem. Now, wasn't that easy!

I like to fill my leaf with stitches...so I snug them close together...but another option is to open the stitches by dropping down a little between each of the fly stitches. This produces a more "spiny" style of leaf. Try that out as well...

Tomorrow, we'll stitch some flower heads on those stems!

UTS Finished Jacque's Block

I have so enjoyed working on my part of Jacque's Under The Sea block...and it is now ready to move on to the next person on the Round Robin list...

Here are some closeups...the only things added are the beads and charms. But, they finish off the stitching nicely I think...and make it look like a real scene. I can almost see those fish swimming! Here are the rocks...some clay roses are added to the green stump-work plant, and a purple glass one is added below. A couple of German glass beads in blue, and some flower iridescent type beads are added for more color.

And, next the fish. Here is the large one...

And the small one...

The fish are brass charms, and while I often ink these type of charms...this time, I painted them...with fingernail polish! The feather stitching has been adorned with multiple seed beads in three different colors.

UTS Plant Life

The Under The Sea block continues. I wanted to add some more plant-life, and a woven detached plant will be first.The little round plant is a Pandora large hole bead that I'm wrapping in green Perle cotton. The woven tall plants are easy to create, but a little tedious.

Here is how the tall plants were made: To help keep the plant the same width from top to almost bottom, I put two pins in the background fabric horizontally; and to set the height I put one pin in vertically. The base threads will be woven around these pins.

First, needle up at the base of the plant. Bring the thread under the heads of the pins (right side), around the head of the vertical pin (top) and under the points of the pins (left side). Needle down back near the start point, but not in the same hole. Needle up close to the start point, wrap thread behind the vertical pin.

 Next, change to a blunt tip tapestry needle (or use the eye of the needle you already have, as I have) and weave the end of the thread over the middle thread and under the right thread. This begins the weaving process. Go from side to side weaving the thread over and under as you would in making a basic weave. (If you go over a thread in row 3, then go under that thread in row 4, etc) Keep moving from left to right...then from right to left...weaving. Keep the thread loose. Slide the needle up toward the top to "srunch" the threads up tight.

The plant shape will begin to form as you weave back and forth. Keep the horizontal pens in until your weaving gets close then remove one at a time as the weave builds.

Continue in this manner until you reach the bottom of the plant. Take a few tacking stitches to anchor the bottom securely and keep the weaves from shifting.

Remove the vertical pin and you can see that the plant is detached and free standing except at the base. If you did not want the plant detached...a small stitch could have been taken at the top when you began the weaving process to anchor it. 

 

It is also possible to stitch the detached plant without the horizontal pins in place as guides...but the stitches have to be kept loose so as not to pull the threads to tightly and distort the shape of the plant.

And, here is the last vertical plant...the last step was stitching down the Pandora bead.
 Hope you enjoyed this little tutorial...and will try this stumpwork technique on a project too.

English Garden...template seams

I've gotten a couple of seams completed on the current English Garden round robin block. Both are using the templates. The first is a zigzag seam of French Knot flowers...Stitch #12 in the book.

Here is the seam, all done!

Just perfect for an English Garden block I think. Now on to the next seam...and if you are still dragging your feet on using templates...let me show you how easy they are. This next seam is butterflies...and is also included in the book's templates patterns. A reminder that first we print the templates, cut them apart, and punch out little holes...then, lay the chosen template where you want your stitches to be and mark a tiny pencil dot in each template hole. (It took me just about 2 hours to do cut and punch ALL of the templates, and you can see that I have them on a little "ring"...and I use them constantly...well worth the 2 hours it took to prepare them!).

Then, when you move the template...your little dots can be used to guide your stitches.

And lastly, stitch. These butterflies are done in 3mm silk ribbon with black embroidery done in size 8 perle cotton...straight stitches.

I have also added some French knots to the little silkie...it is so small, that much stitching would really overpower it...but, it needed some more texture...so this is it.

 I still want to add to the border...but my muse has not decided what that addition will be yet!

English Garden...more

The English Garden round robin continues...and I have a new block to stitch on. This round robin is a little unusual because everyone is not stitching on the same block. Instead, the creator pieced several small blocks...and each person in the rotation will complete one entire block instead of sharing a larger one.

I didn't think to take a photograph of this block before I began stitching. But I have not gotten very far, so we are at the very beginning. The silkie image is not pieced as part of the block...it was created separately and then stitched to the block. So, my first ideas was to put lace around the image...but everything I tried did not work. It was all too clunky...even my finest tatting trims. And the image was not flat, it is actually a little raised from the surface. My first step was to applique the edge of the image to the block with thin beading thread. Then, I decided to try and embroidery the "frame" around the picture...and I'll add a little more dimension later on as well...this is the first layer...

So, stay tuned...

UTS Block Started

It seems that my present stitch life is just packed full of Round Robins these days...and it's great to get to stitch so many different styles of projects. If you stitch and have not tried round robins...I really highly recommend you consider finding a group that fits you and...stitch more! Here is the beginning of the Under The Sea crazy quilt round robin.

Feather stitches...layered on top of each other...five different colors. These are a must (IMHO) for an under the sea block. And since this is round one...the very beginning, I just HAVE to add them.

Perhaps it would be good to let you know that I just received this block from it's creator...and I'm the first of several ladies to get to stitch on it. Being first is a big deal...as your stitching can set the tone for the entire block. It is a little scary...and also really exciting. I think this is especially true for seascape type blocks...because they lend themselves to realistic stitching...and it is not necessary to do the traditional stitching sequence. You know, stitch the seams...do some motifs...add some lace...Voila, you have a block. (of course that order changes with each stitcher...and with each project) With seascapes you can ignore the seams all together if you like...don't do any seams at all if you wish. You can use stitching to actually create an under water world...and never do a seam! The colors in this specific block really are suited to this style...browns for the sand and blues/aquas for the water.

So, traditional is out the window on this one!! And, I've added some rocks...and sea plants. Let's see what we do next! Come on muse...talk to me!!

Taking Pre-Orders for Autographed Books!!

My first book is about to come off the presses! We just spend 3 days in re-write and revision. The books should reach me in just a few days...and I'll autograph on a first come basis. So, if you want a great book for your library...jump on over to my Studio and check it out!

 Here's the new cover front...I like the blue much better than that wine color. The book includes charts for all of the TDiTM stitches and more...150 in total. They are also shown in 3 different scales. Four pages of templates are included...plus...104 monograms! ...plus...over 60 embroidery motifs. Want to see some sample pages? Thought so...I can only do screen print images...so they aren't the best...but here goes....
Here are how the stitch charts will be...

And...monograms. There are four completely different alphabets...

And embroidery motifs!

I have enjoyed working on this book...and it has taken months to get to this stage. My head is full of more ideas...a shadow applique book, a quilt pattern book, and more crazy quilt motifs of course!

But first...back to get some stitching done!

Melissa's Block is Ready to Go Home!

The beads have been added to Melissa's block. I still have to do the last tiny things...you know my own personal rule "When you are done...add three more things!" So, I will review all the work and place a tiny charm or bead here and there to finish it up. Then, it's into the mail to Melissa in California! Here is the final photo of the whole block! Beads do make a huge statement don't they!

And here are the closeup photos. First, the bottom left corner. I went back and added ribbon leaves to the little spiderweb roses in the top seam. Next, some Fimo clay roses were added and seed beads. I usually get questions about my rose beads...and I get them on Ebay whenever I see them. I wish I had a permanent supplier...with reasonable prices...I just love them! I also have a whole tub of modeling clay...unopened...and want to try making my own...but NO TIME for that yet! Someday...someday...! The snail trail seam through the monogram "M" has been adorned with some sequin flowers topped with bead flowers. The little butterfly sequin was sent to me from my friend Marina in Russia, I would love to find more of these! They are so pretty!

Next, the upper left corner. Some trios of Swarvoski pearls and more rose beads finish off the double herringbone seam. The wrapped cretin stitch seam has little flower beads dancing along it. And I completed the tiny chevron seam with French knots.

And, the upper right corner. The crochet flowers now have pearl centers and I've added a couple of green acrylic leaves. Between these, large rose beads have been stitched...with white pearl leaves.

 Finally, the lower right corner. You'll see I decided to finish the embroidery motif design by Mary Corbet of Needlenthread...with beads. And I just love how it turned out! The little acrylic "bell style" beads have a 3mm pearl above them...then inside are two seed bead size pearls and a 4mm pink pearl ends the string. These are stitched all as one unit...multiple times...then the thread is couched down between the top and bottom beads. Remember the beading rule...they have to be secure! The little "stars" on the seam line have French knots added to the spokes and a floral bead added to the center. The blanket stitch seam has 2mm pearls added to it. And a little lime green butterfly was put into the littlest patch.

I hope seeing the progress of Melissa's block in detail will inspire your own stitching. And if you are on the fence about crazy quilting...jump off! It's loads of fun!